#Cinema grade windows software

I did not see myself coming back to post-production, despite missing the creative vibe of the community.Īt first I was a bit reluctant and even dismissive of my ability to provide required help, especially not having done anything with Metal before, but I’m always happy to give advice and offer possible solutions, and my Adobe expertise and contacts could have been useful in this case.

#Cinema grade windows software

When Denver contacted me, I had just started actively looking for work, but mostly as a backend engineer and a software architect to continue on the path I had been enduring for past years. I thought that it was extremely cool that I still get contacted through the blog that I have neglected for so many years and was on the verge of closing down. I remember having very positive impressions from that episode. The name rang a bell, but only after a few emails I realized, that I had already heard about the guy – back on FCP X Grill podcast #113. Roughly about the time that the customers’ audit of the company I was working for revealed foreign contractors to be a security risk and I was being let go from my previous work, I got an email asking me if I knew any developers who could help him with transition from OpenCL to Metal. Take a look at that Kickstarter page and then come back, I’ll tell you a story of how it came to pass.Īs it tends to happen in such cases, meeting Denver Riddle from Cinema Grade was a sheer chance mixed with perfect timing.

As you can see, I am again directly involved in reducing your pains in using color grading tools during editing. And in the meantime this happened: Cinema Grade for Windows.

Some time has passed since I told you that I’m back in the game.